Chamber & Orchestral

Hydra Nightingale for solo contrabass | 2017

Human Exoskeletons for two violins with b-flat trumpet | 2017

Reductionism is a dirty word for bass flute, piano, and contrass | 2015

Jungles III for alto saxophone, electric guitar, piano, and percussion | 2015
Formerly titled Metascore Lab.

Two Paths for two percussionists | 2014

Vessel for solo cello | 2013

Berceuse et Jeux for soprano, cello, and contrabass | 2013

Nocturne for piano and orchestra | 2009

At The Hour for solo piano | 2007


Concert Works with Electronics

Subsong for fixed media | 2017

Vivarium for two performers with amplified pomegranates, live projection | 2017

How to Survive a 100-hour Workweek, musical theater with live electronics | 2016

Jungles: Remix for fixed media | 2014

Sadismusic for one or two violins and electronics | 2013

Winter Hawthorn for clarinet and live electronics | 2013

Anarrhichthys Loops for fixed media with wolf eel or video | 2013

Elliptic for piano, percussion, and electronics | 2012

Tarantella Carbine for cello and electronics | 2010

Ofelia's Life-Dream for actress/singer and electronics | 2009, rev. 2014


Film Score, Sound Art, Installation

AXALAPAZCOS, sound design for film installation | 2017
With Lyndsay Bloom (film) and Francisco Eme (co-composer.)

Sound Masses for Dark Times, multi-media installation | 2016

Personal Artifacts, stereophonic sound system and industrial space | 2016

SEA SOAR, original score. Film by Lyndsay Ellis Bloom | 2015


You can also click here to go directly to my soundcloud.